A famous Belgian carnival has run into trouble with the authorities because of the way it is said to portray Jewish people.
The annual carnival in the Belgian town of Aalst is a 600-year-old ritual, drawing up to 100,000 spectators each year. The event is described by the local authorities as a symbol of the town’s identity in the region.
One of the floats in the parade, however, entitled “Shabbat Year,” features two giant puppets, depicting Orthodox Jews complete with traditional side-curls, wearing pink suits, and standing amidst bags of money among rats, which the mayor of the Flemish described as “humoristic.”
The portrayal has caused an outcry among Jewish groups who have branded the float as “racist and anti-Semitic”, accusations that have led to the launch of a protest petition which has been signed by over 15,000 people.
In a new development, UNESCO, the Paris-based United Nations body for education and culture, is now considering whether to “de-list” the carnival from its prestigious Convention on the Intangible Cultural Heritage of Humanity.
“UNESCO had to be vigilant and uncompromising” in ensuring that the regulations of its Convention are fully respected, a source for UNESCO said while adding that a decision will be made on the matter later this year.
Earlier in March, the Assistant Director-General for Culture at UNESCO, Ernesto Ottone, was highly critical of the floats, saying, “The satirical spirit of the Aalst Carnival and the freedom of expression cannot serve as a screen for such manifestations of hatred.”
Ottone spoke of the float’s “indecent caricatures” which, he said, are contrary to the “values of respect and dignity embodied by UNESCO”.
The European Commission has also weighed in on the controversy with a spokesman commenting that “it should be obvious to all that portraying such representations in the streets of Europe is absolutely unthinkable…74 years after the Holocaust.”
The three-day folk carnival, arguably the most famous of its kind in Belgium and a favourite of young and old alike, has been on the UNESCO list since 2010.
The article was published on New Europe